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	<title>Incompleat Iconoclast &#187; 50/50 Spring 2008</title>
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	<link>http://incompleaticonoclast.com</link>
	<description>The creative writing blog of Edward F. Gumnick</description>
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		<title>50/50 Exercise #50: Fifty Things That Come Next</title>
		<link>http://incompleaticonoclast.com/5050-exercise-50-fifty-things-that-come-next/</link>
		<comments>http://incompleaticonoclast.com/5050-exercise-50-fifty-things-that-come-next/#comments</comments>
		<pubDate>Thu, 10 Apr 2008 03:49:40 +0000</pubDate>
		<dc:creator>Edward F. Gumnick</dc:creator>
				<category><![CDATA[50/50 Spring 2008]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Litanies]]></category>
		<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[Nonfiction]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[Writing workshops]]></category>

		<guid isPermaLink="false">http://incompleaticonoclast.com/blog/?p=84</guid>
		<description><![CDATA[
I will experiment with writing at several different times of day (in the same day), for several days in a row, mixing it up with an occasional day off, etc., to see whether there are some patterns and habits that work better than others.
I will look for magazines and journals that publish the kind of [...]]]></description>
			<content:encoded><![CDATA[<ol>
<li>I will experiment with writing at several different times of day (in the same day), for several days in a row, mixing it up with an occasional day off, etc., to see whether there are some patterns and habits that work better than others.</li>
<li>I will look for magazines and journals that publish the kind of things I like to write.</li>
<li>I will develop a habit for working in several different forms and stages of creative production in parallel, keeping lots of balls in the air—stream-of-consciousness exercises, first drafts, editing and polishing, final drafts, brainstorming exercises, idea-mapping, creative play, etc., in short fiction, personal essay, memoir, flash fiction, a book-length project or two, etc.</li>
<li>Topic: My writing day</li>
<li>I will learn to work in noisy, public places (as a change of pace, not for the bulk of my work).</li>
<li>Topic: My ideal place to write</li>
<li>I will develop more one-on-one social contact with other writers.</li>
<li>I will experiment in combining my everyday writing routine with travel.</li>
<li>I will read with greater intentionality and more careful attention.</li>
<li>I will also read for the joy of reading.</li>
<li>I will make some income writing.</li>
<li>I will win a writing contest.</li>
<li>I will attend more readings by writers whose work I enjoy.</li>
<li>I will subscribe to more periodicals that publish fiction.</li>
<li>I will write on nights when I’m sure that I’m much too tired to write.</li>
<li>Topic: Life in the suburbs</li>
<li>When someone makes a suggestion about a text I’ve written, I will pay careful attention.</li>
<li>I will go on a retreat to a beautiful place when I can write in a peaceful setting.</li>
<li>I will write second (and third) drafts of some of the many first-draft pieces in my possession.</li>
<li>I will open a separate checking account for my writing work.</li>
<li>I will start a QuickBooks file to track the finances of my writing career.</li>
<li>Topic: Imagination as the root of “intuition”</li>
<li>I will return to the practice of keeping a reading list.</li>
<li>Topic: The waterfall at Cade’s Cove, Tennessee</li>
<li>I will schedule writing times and then honor them, even when presented with the tempting offer of a social outing. (But not every time.)</li>
<li>I will explore more deeply the development of characters.</li>
<li>I will experiment with unusual forms.</li>
<li>I will write a six-word bio. (Or many of them.)</li>
<li>I will idea-map on a more regular basis.</li>
<li>I will seek out workshops on some specific areas of writing craft: characterization, writing dialog, etc.</li>
<li>When I travel, I will keep travelogues. But I will try to tell a few interesting stories or observations instead of an exhaustive journal of the trip.</li>
<li>I will figure out how to enable Gallery 2 software to make it easier to incorporate images into my blog.</li>
<li>I will pursue the idea of using my blog as a form of postcard for my next big trip.</li>
<li>Topic: Deception</li>
<li><del datetime="2008-07-04T05:56:04+00:00">I will refine a couple of pieces to read at the Spectrum Center Community Reading on April 13.</del></li>
<li>I will write a book to dedicate to Gika. (Guess who suggested this one.)</li>
<li>Topic: The smell of the bathroom at Latina Café.</li>
<li><del datetime="2008-04-10T03:42:31+00:00">I will fire an irritating graphic-design client</del> (or all of them).</li>
<li>Topic: Pasteleria</li>
<li><del datetime="2008-04-10T03:42:31+00:00">I will go to the beach.</del></li>
<li>Topic: The new cathedral in Houston</li>
<li><del datetime="2008-04-10T03:42:31+00:00">I will take a few days off from writing to reflect on having completed the 50/50 class.</del></li>
<li><del datetime="2008-04-10T03:42:31+00:00">I will beat myself up about letting my writing habit lapse for a couple of weeks when I had been doing so well.</del></li>
<li>I will stop reading books about creativity.</li>
<li>Topic: College roommates</li>
<li>I will still think of myself as a creative person even if I’m not having a creative day.</li>
<li>I will feel free to disregard writing advice that doesn’t make sense for my style and voice.</li>
<li><del datetime="2008-04-10T03:42:31+00:00">I will agonize over the last exercise, dragging it out for days and days and days.</del></li>
<li><del datetime="2008-04-10T03:42:31+00:00">I will leave this exercise unfinished in the interest of getting on with writing.</del></li>
<p>And then I thought of a few more things that ought to be on the list.</p>
<li>I will put together the curriculum for a workshop on new technologies for writers.</li>
<li>I will reinstitute the good filing habits that fell by the wayside when I started the 50/50 class.</li>
<li>I will remain curious about ways to improve my writing practice.</li>
<li>I will try to have lots of fun.</li>
<li>I will get better at it.</li>
</ol>
<hr /><i><b>Note:</b> The assignment was to “make a list of fifty things that might come next for you as a writer.” I’ve been working on it on and off for the last 19 days. Enough!</p>
<p>The items marked with a “strikethrough” line have already been completed.</i></p>
<p><font size="-2">© 2008 Edward F. Gumnick</font></p>
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		<slash:comments>3</slash:comments>
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		<title>50/50 Exercise #48: Indispensable</title>
		<link>http://incompleaticonoclast.com/5050-exercise-48-indispensable/</link>
		<comments>http://incompleaticonoclast.com/5050-exercise-48-indispensable/#comments</comments>
		<pubDate>Fri, 28 Mar 2008 05:11:38 +0000</pubDate>
		<dc:creator>Edward F. Gumnick</dc:creator>
				<category><![CDATA[50/50 Spring 2008]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[Writing workshops]]></category>

		<guid isPermaLink="false">http://incompleaticonoclast.com/blog/?p=83</guid>
		<description><![CDATA[<p>The car bumps and shudders over broken pavement and rutted dirt. It makes a lot of turns. I try for a while to track our route, but I lose count after only a few minutes. I have no idea how long I was unconscious.</p>
<p>As I’m trying to piece together some kind of pattern in the [...]]]></description>
			<content:encoded><![CDATA[<p>The car bumps and shudders over broken pavement and rutted dirt. It makes a lot of turns. I try for a while to track our route, but I lose count after only a few minutes. I have no idea how long I was unconscious.</p>
<p>As I’m trying to piece together some kind of pattern in the few available clues, we make a turn uphill and onto a smoother road. The car picks up speed. Unless I was out for more than an hour, it seems likely that we’re on the Via Nacional, which means <span id="more-83"></span>that we’ve left the city and we’re headed north parallel to the coast.</p>
<p>I return to the question: <i>What would anyone want with </i>me<i>? </i>My family doesn’t have money, and I think it’s common knowledge that the network is on the verge of financial collapse. The union that represents my camera crew agreed two weeks ago to a 10-percent cut in pay in exchange for a promise from the network execs to keep layoffs to minimum.</p>
<p>The State Department under the present administration isn’t keen on lifting a finger to help journalists who stray outside the “safe zones” and get themselves in trouble. And that’s assuming you consider what I do journalism. Some of my critics call it “infotainment.” Others aren’t so generous.</p>
<p>If my captors have kidnapped me for ransom, they’re in for a big surprise when they discover what a worthless hostage they’ve taken.</p>
<p>Still searching for clues, I think back to lunchtime in the Libertador Hotel dining room. I sat at my usual table, ate my typical meal. I’m billed as a culinary adventurer, but the truth is that off camera, I like predictability in my foodstuffs as much as the next guy. Maybe more than the next guy. I like the Libertador because two or three of the waiters speak passable English. Also, the dining room features an “American menu”—tough steaks cut as thin as the tongue of one of my shoes, but still identifiable as beef, and served with French fries made from the little purple potatoes they grow in the mountains around here. They also serve bottles of Budweiser chilled to something less than 98.6 degrees, which passes for cool in this climate.</p>
<p>No, I’ve been overlooking something important. Before lunch. Something that happened this morning.</p>
<hr />
<i><b>Note:</b> Okay, this one is a lonnnnng stretch from the assignment, which was to write about someone or something “indispensable.” From that prompt, I somehow got back to my story about the kidnapped field reporter, who is most decidedly NOT indispensable—not to his network, not to his family, not to the partner cheating on him back home, and probably not to the gang of thugs who’ve just kidnapped him. Unless he can convince them otherwise.</p>
<p>This is the sequel to <a href="http://incompleaticonoclast.com/blog/?p=64">Exercise #35</a> and precedes, by some indeterminate amount of time, <a href="http://incompleaticonoclast.com/blog/?p=63">Exercise #34</a>. (I know, the numbers don’t make much sense, do they?)</i></p>
<p><font size="-2">© 2008 Edward F. Gumnick</font></p>
]]></content:encoded>
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		<title>50/50 Exercise #47: “Two Pages” from Abigail Thomas</title>
		<link>http://incompleaticonoclast.com/5050-exercise-47-%e2%80%9ctwo-pages%e2%80%9d-from-abigail-thomas/</link>
		<comments>http://incompleaticonoclast.com/5050-exercise-47-%e2%80%9ctwo-pages%e2%80%9d-from-abigail-thomas/#comments</comments>
		<pubDate>Thu, 27 Mar 2008 04:08:07 +0000</pubDate>
		<dc:creator>Edward F. Gumnick</dc:creator>
				<category><![CDATA[50/50 Spring 2008]]></category>
		<category><![CDATA[Ennui]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[Non sequiturs]]></category>
		<category><![CDATA[Writing workshops]]></category>

		<guid isPermaLink="false">http://incompleaticonoclast.com/blog/?p=82</guid>
		<description><![CDATA[<p>“I picked up your shirts at the dry cleaners today,” she said.</p>
<p>“Which shirts?”</p>
<p>“The ones I took last week. Your favorite blue one was in there.”</p>
<p>“Which dry cleaner did you go to?”</p>
<p>“Across from the oil-change place.”</p>
<p>“The oil-change place on 15th?</p>
<p>“No, over by the school.</p>
<p>“Mm.”</p>
<p>“You’ll never guess who I ran into at Walgreen’s while I was refilling [...]]]></description>
			<content:encoded><![CDATA[<p>“I picked up your shirts at the dry cleaners today,” she said.</p>
<p>“Which shirts?”</p>
<p>“The ones I took last week. Your favorite blue one was in there.”</p>
<p>“Which dry cleaner did you go to?”</p>
<p>“Across from the oil-change place.”</p>
<p>“The oil-change place on 15th?</p>
<p>“No, over by the school.</p>
<p>“Mm.”</p>
<p>“You’ll never guess who I ran into at Walgreen’s <span id="more-82"></span>while I was refilling my prescription. Oh, by the way, they had Zest on sale, so I bought you some.”</p>
<p>“Oh, who?”</p>
<p>“What?”</p>
<p>“Who did you run into?”</p>
<p>“Oh, guess. But you’ll never get it right.”</p>
<p>“Judy?”</p>
<p>“No, guess again.”</p>
<p>“Mrs. Benderson?”</p>
<p>“No, but you’re closer. Guess.”</p>
<p>“Do we have to play this game?”</p>
<p>“What do you mean?”</p>
<p>“This whole guessing-game thing. Who did you see at Walgreen’s?”</p>
<p>“You don’t have to be like that.”</p>
<p>“Look, I’m sorry. Who did you see?”</p>
<p>“Diana, and she was out with the baby for the first time.”</p>
<p>“Oh wow.”</p>
<p>“Yeah, she looks great.”</p>
<p>“Mm.”</p>
<p>“Oh, did you see that David and Lee Anne got a new minivan?”</p>
<p>“Yeah, I saw it out there. When did that happen?”</p>
<p>“Friday I think. Oh, no wait, Saturday. Oh, no, it <i>was</i> Friday, because I was just coming home from the meeting at school.”</p>
<p>“Uh-huh. What are they doing with the old one?”</p>
<p>“I haven’t asked Lee Anne yet. There’s a ‘For Sale’ sign in the back window of it, so I guess they’re selling it.”</p>
<p>“I guess so.”</p>
<p>“I think they liked it.”</p>
<p>“What? The new one?”</p>
<p>“No, I meant the old one. Lee Anne told me once they were pretty happy with it.”</p>
<p>“Uh-huh. Oh, are we going to that party?”</p>
<p>“What party?”</p>
<p>“The anniversary thing.”</p>
<p>“At the Wassermans?”</p>
<p>“Yeah.”</p>
<p>“I don’t know. Do you want to?”</p>
<p>“I feel like we ought to.”</p>
<p>“Yeah, probably. We have a bag of chips and an unopened jar of salsa, so we don’t have to pick up anything.”</p>
<p>“Are chips and salsa enough?”</p>
<p>“Don’t you think that’s enough?”</p>
<p>“I wasn’t saying that, I just didn’t know whether we should get something else.”</p>
<p>“We’d have to stop somewhere, because we don’t have much in the way of party food.”</p>
<p>“Mm.”</p>
<p>“You don’t love me any more,” she said.</p>
<p>The sound of the back door slamming echoed a moment in the empty kitchen. Then I listened to the silence for a while.</p>
<hr />
<i><b>Note:</b> The assignment was to write two pages on any of a variety of topics suggest by the writer Abigail Thomas on her <a href=http://www.abigailthomas.net/abigail-thomas-getting-started.html target=blank>“Getting Started” web page</a>. I chose “Write two pages of boring dialogue.” She says, “You’ll be surprised how hard it is to be boring on purpose,” but I didn’t find it so hard. Had trouble staying awake long enough to write two pages, though.</i></p>
<p><font size="-2">© 2008 Edward F. Gumnick</font></p>
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		<slash:comments>6</slash:comments>
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		<title>50/50 Exercise #49: Keeping a Spirit Alive</title>
		<link>http://incompleaticonoclast.com/5050-exercise-49-keeping-a-spirit-alive/</link>
		<comments>http://incompleaticonoclast.com/5050-exercise-49-keeping-a-spirit-alive/#comments</comments>
		<pubDate>Wed, 26 Mar 2008 05:20:59 +0000</pubDate>
		<dc:creator>Edward F. Gumnick</dc:creator>
				<category><![CDATA[50/50 Spring 2008]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Loss]]></category>
		<category><![CDATA[Love]]></category>
		<category><![CDATA[Writing workshops]]></category>

		<guid isPermaLink="false">http://incompleaticonoclast.com/blog/?p=80</guid>
		<description><![CDATA[<p>I think I was half asleep. You know how sometimes you’re lying there, and you think you’re still awake, and then all of a sudden, you feel like you’re falling? And then something brings you up to wide awake again. You think, Was that my own voice? You know that feeling?</p>
<p>I had a weird sensation, [...]]]></description>
			<content:encoded><![CDATA[<p>I think I was half asleep. You know how sometimes you’re lying there, and you think you’re still awake, and then all of a sudden, you feel like you’re falling? And then something brings you up to wide awake again. You think, <i>Was that my own voice?</i> You know that feeling?</p>
<p>I had a weird sensation, not exactly like that, but close, and then I sat up and looked over at her pillow. I might have even called her name before everything came rushing back at me. <i>She’s gone, oh God, oh jeez, goddamn, she’s gone.</i> Get a grip, Mike, get it together. <span id="more-80"></span>How many more times will you be surprised to remember it?</p>
<p>What time is it? I have to be up at seven, as much as I don’t want to get out of this bed ever again. I have to sign papers at 8:30, and I don’t even know where to go.</p>
<p>Celia will know the address. She’s been great—nothing but business since she picked me up at the airport. She refuses to fall apart, and she won’t let me either. I’ll crash and burn without her consent.</p>
<p>I can’t see for shit. Where are my glasses? As soon as I put them on, all I want to see is something of Sarah’s. Anything. Rooting around in the drawer, but everything in here is mine. She didn’t live here very long, but you’d think there would be some artifact—a book, a hairbrush.</p>
<p>It’s only ten after five. What was I dreaming just now?</p>
<p>My feet are on the floor, on that ugly rug. That was her idea of a homey touch, not mine. It’s not what I’m looking for now, either.</p>
<p>I wash and dry my face. I look a thousand years older than when I left here last week. A thousand years, 7,000 miles, something like that. Then in a flash I’m doubled over the sink because I know she’s gone, and it might as well be the first time I’ve realized it, and, <i>Oh no, oh God, why didn’t I see this coming?</i> Maybe it was never in the cards for me to be happy.</p>
<p>What are the chances that I’ll sleep before the alarm goes off at 7:00? I’m hungry. What time is it in Italy? It doesn’t matter. No one is there to answer my call.</p>
<p>Where are my glasses?</p>
<p>Where is she now? Is she thinking about me?</p>
<hr />
<i><b>Note:</b> The assignment was to write about someone responding to a loss. See also <a href= "http://incompleaticonoclast.com/blog/?p=46">Lost in the Ordinary</a> and <a href= "http://incompleaticonoclast.com/blog/?p=75">50/50 Exercise #42</a>.</i></p>
<p><font size="-2">© 2008 Edward F. Gumnick</font></p>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Don’t worry!</title>
		<link>http://incompleaticonoclast.com/don%e2%80%99t-worry/</link>
		<comments>http://incompleaticonoclast.com/don%e2%80%99t-worry/#comments</comments>
		<pubDate>Wed, 26 Mar 2008 04:29:03 +0000</pubDate>
		<dc:creator>Edward F. Gumnick</dc:creator>
				<category><![CDATA[50/50 Spring 2008]]></category>
		<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[Writing workshops]]></category>

		<guid isPermaLink="false">http://incompleaticonoclast.com/blog/?p=81</guid>
		<description><![CDATA[<p>I’m not ignoring Exercises #47 and #48. But #49 jumped to the head of the line and refused to let me write anything else until I’d worked on it.</p>
]]></description>
			<content:encoded><![CDATA[<p>I’m not ignoring Exercises #47 and #48. But #49 jumped to the head of the line and refused to let me write anything else until I’d worked on it.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>50/50 Exercise #46: The Fixer</title>
		<link>http://incompleaticonoclast.com/5050-exercise-46-the-fixer/</link>
		<comments>http://incompleaticonoclast.com/5050-exercise-46-the-fixer/#comments</comments>
		<pubDate>Wed, 26 Mar 2008 04:01:34 +0000</pubDate>
		<dc:creator>Edward F. Gumnick</dc:creator>
				<category><![CDATA[50/50 Spring 2008]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Writing workshops]]></category>

		<guid isPermaLink="false">http://incompleaticonoclast.com/blog/?p=79</guid>
		<description><![CDATA[<p>The Fixer works mostly at night. The Fixer addresses his attention to problems that no one else has the time, the power, or the will to solve.</p>
<p>The Fixer knows who should and shouldn’t park in handicapped spaces. He lets the air out of a tire. In a hard case, the Fixer lets the air out [...]]]></description>
			<content:encoded><![CDATA[<p>The Fixer works mostly at night. The Fixer addresses his attention to problems that no one else has the time, the power, or the will to solve.</p>
<p>The Fixer knows who should and shouldn’t park in handicapped spaces. He lets the air out of a tire. In a hard case, the Fixer lets the air out of <i>two</i> tires.</p>
<p>The Fixer calls the police to report the noisy party that’s keeping you from sleeping on the night before your big presentation. He tells the dispatcher that he’s pretty sure they’re serving booze to teenagers over there. <span id="more-79"></span>He waits around to make sure that the patrolmen break up the festivities.</p>
<p>Or say some asshole cuts you off in traffic, and there’s not a thing you can do about it. The Fixer follows the guy for six or eight blocks, looking for an opportunity to get the guy back. Or sometimes the Fixer follows the bad driver home, trails him all the way into his driveway, then flashes a menacing glare, backs out, and drives away with a screech of rubber on pavement. The Fixer knows how to send a message.</p>
<p>The Fixer climbs over a fence to dispatch your neighbor’s yappy rat of a dog. He kills without pain or cruelty. He makes sure you don’t have to listen to that racket any more.</p>
<p>The Fixer goes to the office after the cleaning people have gone home for the night. He lets himself into your rival’s office using the key the receptionist keeps hidden in her desk drawer under the rubber bands. He sends a client an e-mail containing a piece of information that your rival is not supposed to know—a minor but troubling fact. He deletes the copy from the “sent” folder to complete the deception.</p>
<p>The Fixer resolves troubles of all kinds, very large or very small. He puts an end to an embarrassing situation before your friends suspect a thing. Then for good measure, he fixes a surprise for the no-good boyfriend who should have been by your side.</p>
<p>The Fixer says he believes in Divine Justice. He just doesn’t have the patience to wait around for it. The Fixer never hurts anybody who doesn’t have it coming.</p>
<hr />
<i><b>Note:</b> The charge was to write about someone who fixes “problems, situations, objects, conflicts….” This character sketch needs some work. I’m not sure where it’s headed yet.</i></p>
<p><font size="-2">© 2008 Edward F. Gumnick</font></p>
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		<title>50/50 Exercise #45: Linking Texts Together</title>
		<link>http://incompleaticonoclast.com/5050-exercise-45-linking-texts-together/</link>
		<comments>http://incompleaticonoclast.com/5050-exercise-45-linking-texts-together/#comments</comments>
		<pubDate>Thu, 20 Mar 2008 05:56:15 +0000</pubDate>
		<dc:creator>Edward F. Gumnick</dc:creator>
				<category><![CDATA[50/50 Spring 2008]]></category>
		<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[Non sequiturs]]></category>
		<category><![CDATA[Writing workshops]]></category>

		<guid isPermaLink="false">http://incompleaticonoclast.com/blog/?p=78</guid>
		<description><![CDATA[<p>Dear Bunny Rabbit,</p>
<p>You’ve gotten me in big trouble now. I know you’re a good-hearted and thoughtful fellow, but I think maybe you’re too chatty.</p>
<p>I keep getting sad looks from all the other bunnies. I try to explain that the haiku I wrote was a gift for all the rabbits in the park. Sure, you and [...]]]></description>
			<content:encoded><![CDATA[<p>Dear Bunny Rabbit,</p>
<p>You’ve gotten me in big trouble now. I know you’re a good-hearted and thoughtful fellow, but I think maybe you’re too chatty.</p>
<p>I keep getting sad looks from all the other bunnies. I try to explain that the haiku I wrote was a gift for <i>all</i> the rabbits in the park. Sure, you and I have a special bond, but I feel a lot of fondness for your whole species.</p>
<p>Anyway, I’ve started work on an epic poem <span id="more-78"></span>with a bunny hero and a bunny maiden and all kinds of stuff about warm days and green grass. I’m pretty sure you’ll like it. Can you help me get the word out so your friends will stop looking at me like I ate their mother or something?</p>
<p>Yesterday, an armadillo looked like he was trying to get my attention, and then as soon as I went to talk to him, he went shy and nervous the way they always do. But the look of reproach on his face was unmistakable, so I went home and wrote something for him and his people, too.</p>
<blockquote><p>The armadillo<br />
bravely crunches the dry leaves<br />
on the twilit path.</p></blockquote>
<p>It’s not much, but I hope they’ll appreciate the gesture.</p>
<hr />
<i><b>Note:</b> This exercise was to link together two pieces of text we’d written in the course of the 50/50 class. On the day I wrote <a href= "http://incompleaticonoclast.com/blog/?p=62">Exercise #33</a>, I also penned a haiku about an armadillo, but I couldn’t figure out how to incorporate it into a letter to a rabbit. Today’s letter bridges the gap.</i></p>
<p><font size="-2">© 2008 Edward F. Gumnick</font></p>
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		<title>50/50 Exercise #44: Confessional Text</title>
		<link>http://incompleaticonoclast.com/5050-exercise-44-confessional-text/</link>
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		<pubDate>Thu, 20 Mar 2008 05:07:40 +0000</pubDate>
		<dc:creator>Edward F. Gumnick</dc:creator>
				<category><![CDATA[50/50 Spring 2008]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Secrets]]></category>
		<category><![CDATA[Writing workshops]]></category>

		<guid isPermaLink="false">http://incompleaticonoclast.com/blog/?p=77</guid>
		<description><![CDATA[<p>“We went to the Half Moon after we got off work. Lorraine wanted a drink ’cause she says it’s all over with Bobby, there’s no way she’s gonna take him back again. I said no, I’m due back here at 7:30, and she said, oh come on, just come with me for one.</p>
<p>“So we took [...]]]></description>
			<content:encoded><![CDATA[<p>“We went to the Half Moon after we got off work. Lorraine wanted a drink ’cause she says it’s all over with Bobby, there’s no way she’s gonna take him back again. I said no, I’m due back here at 7:30, and she said, oh come on, just come with me for one.</p>
<p>“So we took her car, and I left mine behind the diner where I always park it. ’Cause you know I’d always rather ride with somebody else, especially if I’m gonna be drinking. And it was Lo who invited me to this party, so I figured she could make sure I got home.</p>
<p>“That guy with the arms was working the back bar <span id="more-77"></span>at the Half Moon, so Lo and me went back there to get a couple beers. He said, ladies, can I get you started with a shot of tequila, and next thing I know, Lorraine is slamming her shot glass on the bar, and her and the bartender were saying, drink! drink! drink! and baby, you know how fucked up I get on tequila.</p>
<p>“We partied for a while after that, dancing and drinking a few more beers. I don’t know how many. I said to Lo, can we please get something to eat, or else I’m gonna be too hung over to work in the morning. So we walked over to Sonic and shared a burger and some fries sitting on one of the picnic tables in front. And I felt okay after that.</p>
<p>“We went back to Lorraine’s car, and she said, honey, are you okay to drive ’cause I could give you a ride home, it’s not that far out of my way. But I said no, I’m really okay. I really thought I was, I swear.</p>
<p>“She dropped me off by the side of the diner. I remember I saw Manuel’s truck was still in front, so I went the long way around to my car. I didn’t want another run-in with him the way I was feeling.</p>
<p>“And then I drove home, and nothing happened, I was really okay. I thought I was, and then I was almost home, and I slowed down for the blinking yellow. There wasn’t no one else on the road, not a soul in sight. I swear, baby, I was awake and sober and there wasn’t another car anywhere. And I put on my signal and made the left turn, and there was this horrible crunch on the right side, oh my God, something hit me or I hit something, I didn’t know, and I was so scared ’cause I was thinking about the tequila and the beers, and I didn’t see nothing but I felt the weight of whatever it was like a hard thump on the passenger door, and then I wasn’t thinking, just driving and driving, fast up the street, and looking around to see if anybody saw me, and I was crying and I was sure someone would be coming after me. And when I got to that sharp turn at Manassas, I was going too fast, and I went up on the curb, and I heard metal like something broke off the car….”</p>
<p>After that, she fell apart again, and it took me 15 more minutes to get her to stop crying. She told me that she’d left the car eight blocks away, parked next to the Baptist church, and walked home. From her driveway, she could see lights flashing over on Beaufort Street, so she walked around the corner and down to where a streetlight was out and she could try to get a look without being seen. But she was too scared to get close, so all she saw was the flashing lights of two patrol cars and an ambulance, and shapes of people moving around in front of the headlights and flashers.</p>
<p>She came home, locked all the doors, and sat on the living-room floor, crying her eyes out and waiting for a knock on the door. She was sure someone would come to arrest her as soon as they found her banged-up car. After two hours, she went back outside to find that all the lights were gone. That’s when she called me.</p>
<hr />
<i><b>Note:</b> The task was to write about a crime. This is a continuation of the story I started in <a href="http://incompleaticonoclast.com/blog/?p=26">Exercise #4</a> and expanded in <a href="http://incompleaticonoclast.com/blog/?p=32">Exercise #10</a>. Still not finished, sorry! But at least you’re getting a little more of the picture.</i></p>
<p><font size="-2">© 2008 Edward F. Gumnick</font></p>
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		<title>50/50 Exercise #43: Identity and Place</title>
		<link>http://incompleaticonoclast.com/5050-exercise-43-identity-and-place/</link>
		<comments>http://incompleaticonoclast.com/5050-exercise-43-identity-and-place/#comments</comments>
		<pubDate>Wed, 19 Mar 2008 05:32:11 +0000</pubDate>
		<dc:creator>Edward F. Gumnick</dc:creator>
				<category><![CDATA[50/50 Spring 2008]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Memoir]]></category>
		<category><![CDATA[Nonfiction]]></category>
		<category><![CDATA[Rome]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[Walking]]></category>
		<category><![CDATA[Writing workshops]]></category>

		<guid isPermaLink="false">http://incompleaticonoclast.com/blog/?p=76</guid>
		<description><![CDATA[<p>“This is my city, and I am as much a Roman as anyone here.”</p>
—Words that I will put in the mouth of a fictional character one of these days

The prompt is to describe a place—a location “that is meaningful and powerful for you,” and then to write about who you are in that place. I’m [...]]]></description>
			<content:encoded><![CDATA[<blockquote><p>“This is my city, and I am as much a Roman as anyone here.”</p></blockquote>
<div align="right">—Words that I will put in the mouth of a fictional character one of these days</div>
<hr />
The prompt is to describe a place—a location “that is meaningful and powerful for you,” and then to write about who you are in that place. I’m thrilled and terrified by this assignment. No one who knows me will be surprised at my choice. It’s the place that I return again and again—Rome.</p>
<p>I’m excited by the task because I’m always happy to think about Rome. I can talk about it for hours and hours. I’m scared because <span id="more-76"></span>so much has already been said about it that I can’t conceive of adding so much as one original phrase or fresh observation. (Even that statement strikes me as a cliché.)</p>
<p>And it’s hard to imagine expressing a rational basis for the city’s appeal for me. Sure, there’s all the history, the art, the architecture, the fountains, the pines, blah, blah, blah. But the city is filthy, it’s noisy, it’s falling apart, it’s damp, it’s full of tourists. And yet it compels me again and again, so I have to face the possibility that at least some of my love is irrational, and I don’t like thinking of myself that way.</p>
<p>So, down to work. The place? I can’t think of a favorite. When I try, I walk in my mind’s eye from one favorite spot to another. Rome is all about the walking. I could start at the end of the Via dei Fori Imperiali where it runs into Piazza Venezia, near where I took the panoramic photo last January—the one at the top of this page. Broken remnants of the glory of the Imperial Age are scattered at my feet. I try to envision ancient people walking on the decorative tiles on the fragment of floor a few steps from the sidewalk. I find that I can’t picture it. Cars race by behind me, horns blaring. I walk toward the piazza past a South Asian man who sells silk scarves and plastic souvenir Colosseums made in China.</p>
<p>A right turn would take me up the Corso, but I don’t want to go that way. It’s a noisy canyon of buildings that seems to trap the vehicle exhaust. Instead, I make my way around the bottom end of the piazza, even though that entails crossing four or five side streets, mostly without benefit of traffic lights. I dodge the current of taxis and buses like a native Italian.</p>
<p>I don’t know the name of the street, but by habit I find my way to a place where pieces of an ancient structure have been incorporated into the back of an 18th- or 19th-century building. Three columns look as if they’re lifting the modern construction up out of the excavation pit. The hole is separated from the sidewalk by an iron railing in front of which Czech and Polish expatriates sell magazines in Slavic languages. I look for a family resemblance. I wonder what subtle twists in history turned me into an American tourist and left these distant cousins of mine to become citizens of the European Union.</p>
<hr />
<i><b>Note:</b> That’s as far as I got before I ran out of time (and steam) tonight. Since I’m still three days behind on 50/50 assignments, I’m going to offer this up to you in its unfinished condition. It seems like a good bet that I’ll write more about Rome at a later date.</i></p>
<p><font size="-2">© 2008 Edward F. Gumnick</font></p>
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		<title>50/50 Exercise #42: Say YES</title>
		<link>http://incompleaticonoclast.com/5050-exercise-42-say-yes/</link>
		<comments>http://incompleaticonoclast.com/5050-exercise-42-say-yes/#comments</comments>
		<pubDate>Tue, 18 Mar 2008 05:07:00 +0000</pubDate>
		<dc:creator>Edward F. Gumnick</dc:creator>
				<category><![CDATA[50/50 Spring 2008]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Writing workshops]]></category>

		<guid isPermaLink="false">http://incompleaticonoclast.com/blog/?p=75</guid>
		<description><![CDATA[<p>He was in that state where you’re not quite asleep and not quite awake. I tried to wake him, but found that I couldn’t form words that would mean anything. He sat upright in the bed and called out my name. He couldn’t hear my answer.</p>
<p>I felt again the pain of being separated from him. [...]]]></description>
			<content:encoded><![CDATA[<p>He was in that state where you’re not quite asleep and not quite awake. I tried to wake him, but found that I couldn’t form words that would mean anything. He sat upright in the bed and called out my name. He couldn’t hear my answer.</p>
<p>I felt again the pain of being separated from him. His face looked as if he were struggling to remember something.</p>
<p>He turned away to reach for something on the bedside table. I wanted to say, “Please, no, Michael, don’t turn your back on me.” <span id="more-75"></span>I heard him pull out the drawer. I wondered what he could be looking for at this hour of the night.</p>
<p>He went into the bathroom. I sat on the corner of the bed nearest the window and contemplated the rug. I remembered the weekend in Pennsylvania when I talked him into buying it. I don’t think he ever liked the shaggy old thing, but he hasn’t had time to make changes yet.</p>
<p>I thought of the last time we spoke—his phone call from Milan. It was Saturday morning there, still Friday night here. I wasn’t ready to answer his question, but if I could talk to him now, I wouldn’t hesitate.</p>
<p>Oh God, how I wish I could say “yes.”</p>
<p>When he came back to bed, I could have sworn he was looking right at me as his eyes filled with tears.</p>
<hr />
<i><b>Note:</b> The assignment was to write about “saying ‘yes.’” I have been looking for a chance to return to the <a href="http://incompleaticonoclast.com/blog/?p=46">story fragment</a> that I started in the February “Start to Finish II” workshop.</p>
<p>March 25, 2008—See also <a href="http://incompleaticonoclast.com/blog/?p=80">Exercise #49</a>.</i></p>
<p><font size="-2">© 2008 Edward F. Gumnick</font></p>
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